Guten Tag (Episode 26)
FDR 196?, 15 min. german OV, 16mm
Tipps für den Alltag II, Ausländische Arbeitnehmer im Industriebetrieb
FDR 196?, 12 min. OV with german subtitles, 16mm
Viel Glück in Deutschland (Episode 2)
Thilo Philipp / Uwe Krauss, FDR 197?, 15 min. german OV, 16mm
Zu Gast in unserem Land: Kemal
Herbert Ballmann, FDR 1977, 50 min. german OV
“I am a stranger here,” “I am a foreigner,” “I don't speak German” are all phrases that can be learned in the Goethe Institute’s elaborately produced 26-part language course series, Guten Tag (Good Day). With a great deal of artistic imagination, scenes around “Language, Culture, Germany” are staged and slowly intoned in an effort to bring the newly arrived closer. Viel Glück in Deutschland (Good Luck in Germany), on the other hand, prepares employees for everyday life in the workplace with vocabulary such as “time card,” “personnel office” and “the foreman is waiting”. In Tipps für den Alltag (Everyday Tips), the portrayal of what is characterized as typically German and represented as the ideal norm also has a comic effect, while the depictions of foreign workers can certainly be perceived as problematic. Similar patterns can be found in the educational film series produced by the Federal Agency for Civic Education, Zu Gast in unserem Land (A Guest in our Country). Here, younger generations belonging to the social majority are prepared for confrontations with the so-called “guests”. Following the screening, there will be a discussion in which we dissect the persistent stereotypes unreflectively projected onto later generations of people with an immigration history and the racist behaviors that are subsequently internalized. (ML)
Malve Lippmann studied at the State Academy of Fine Arts Stuttgart and at the Institute for Art in Context at the Berlin University of the Arts (MA). She worked internationally as a freelance stagedesigner and artist. Since 2010 she has also been active as a cultural manager in various cultural and community projects. She is co-founder and artistic director of bi'bak and Sinema Transtopia.
Cem Kaya is a documentary filmmaker from Berlin with a quirky interest in found footage. Coming from the field of cultural studies, his films combines humorous storytelling with deep background knowledge. Remake, Remix, Rip-Off was screened at some of the most important international film festivals, including Berlinale and Locarno Film Festival.