From September 2020 on bi’bak will embark on a cinema experiment at Haus der Statistik.

SİNEMA TRANSTOPIA explores cinema as a space for social discourse, a place for exchange and solidarity. SİNEMA TRANSTOPIA brings together diverse social communities, links geographically distant and nearby places, the past, present and future, and decentres an eurocentric view through transnational, (post-) migrant and postcolonial perspectives. SİNEMA TRANSTOPIA is a transtopia, a place where “cross-border ties and connections converge, are reinterpreted and condense into everyday contexts” (Erol Yıldız). As part of the pioneering urban policy Initiative Haus der Statistik, the cinema experiment bridges the gap between everyday urban practices and film to create an alternative art form that connects different social perspectives.



bi'bakino is a curated film program that focuses on transnational narratives, migration and mobility discourses in film and seeks to stimulate differentiated discussions and changes of perspective. The program highlights films from outside Europe that have often not been shown in Berlin before, as well as archive excavations and rediscoveries. Following the film screenings, moderated discussions take place with filmmakers and experts.

Past event series can be found in the archive.


Curated by Popo Fan, Tobias Hering, Malve Lippmann, Branka Pavlovic, Can Sungu, Sarnt Utamachote and Florian Wüst


Curated by LaborBerlin e.V.

Out of Focus LaborBerlin

LaborBerlin´s vitality comes from the shared interest in sustaining a collective space built around practices involving photo-chemical film. This space is constantly in flux thanks to the people who pass through it, their various perspectives, and origins. Out of Focus LaborBerlin is a film series that approaches the laboratory as a transitory place. On five evenings, the limits of the collective’s visible structure will be explored. Join us for conversations with and works by current and former members exploring themes and perspectives beyond actual analogue film-making itself.

Funded by Berliner Senats für Kultur und Europa

LaborBerlin e.V. is a self-organized space for working with film. The collective is open to anyone interested in an experimental approach to analogue film practice. LaborBerlin is a platform for the exchange of ideas and experiences of film making, and provides all the tools necessary to its members.

To the events


Critical Conditions

Fields of action in the environmental crisis

Curated by Sarnt Utamachote, Malve Lippmann, Rosalia Namsai Engchuan and Pia Chakraverti-Würthwein & Eirini Fountedaki


To the archive


OV with English subs

Followed by a talk with Bernd Lützeler

Centre of the Universe
First famous for its Wall, then for Techno, then for its club scene - Berlin has become the dream destination for global artistic migration. As a film lab run by filmmakers and artists, LaborBerlin itself is part of this phenomenon. Is it the economic and logistic conditions, or the liberal climate in the city what encourages creative minds from all over the world to come here? Is Berlin a foundation and basis, or rather a stepping stone for a career elsewhere? Berlin’s city marketing pitches the city as the place for creative people to flock to thanks to relatively low rents and dynamic energy. But what do artists and filmmakers have to say about this? Does Berlin work for them as a source of inspiration, ideas or stories for their creative work? Or have they shifted their focus beyond the borders of the city anyway? What role does LaborBerlin play in this? Bernd Lützeler invites colleagues from LaborBerlin to the Center of the Universe to show their films and discuss their relationship with the city.
The guests and their films:
Melissa Dullius von Distruktur - Muito Romantico (2016, HD, excerpt)
Sophie Watzlawick - Les Noctambules (2002, 16mm)
Mathieu Brohan - P.R (2019, HD)
Deborah S. Phillips - Fontanestr. (2006, Super-8 Performance)
Tess Motherway - Things Men Have Said To Me This Year (2017, Performance)
Melina Pafundi - ||Aes |Omi Sau !Khais (2019, HD, Trailer)

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Bernd Lützeler lives and works as an artist and filmmaker between Berlin and Mumbai. With his films, installations and expanded cinema works he explores techniques of moving image production and presentation in relation to film aesthetics and perception. Another major influence on his work is popular Indian culture, often juxtaposed against the dystopian backdrop of a contemporary urban India. Bernd's works have been shown at venues and festivals worldwide, including Centre Pompidou, Berlin International Film Festival, Rotterdam, Ann Arbor Film Festival and Views from the Avant-Garde to name just a few.

OV with English subs

Followed by a talk with Philip Widmann and Siska

Universal Periphery

Despite carrying a city name in its title, LaborBerlin has always invoked other places. Places of origin and possibility, of partnership and ongoing collaboration. For many, Berlin is but one of a multiplicity of places that defines their everyday lives, and its importance in relation to cities from A to Z is ever changing. In Berlin and its laboratory, the factual presence of these other places remains at times unseen or unacknowledged, unless they become objects of films or direct artistic exchanges. Philip Widmann has invited artist and filmmaker Siska for a cine-conversation on the universal periphery that these place relations constitute. Siska was a member of LaborBerlin for a brief time around 2010, when he was still commuting between his native Beirut and Berlin. He continues to work on Super 8 and 16mm, moving between amateurism, cinema screens and exhibition spaces, exploring the visual and spatial histories of Beirut and Berlin, among others.

Independence Day: A work in progress
Siska, 2011/2012, 7 min. Super8
with live audio by Christian Blumberg

Latent Border(s) - (Extract)
Siska, 2019, 5 min, 16mm 

In the Ruins of Baalbeck Studios 
Siska, 2017, 47 min, 16mm & Super8 transferred to HD

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Philip Widmann makes films, texts, and film programmes at the intersection of experimental documentary cinema, science, and visual art. His film and video work has been shown in various film festivals and art spaces, including Berlinale, IFF Rotterdam, New York FF, Yamagata International Documentary FF, FID Marseille, Videonale Bonn, Wexner Center for the Arts, and others. He has also selected film programmes for Arkipel Jakarta, Image Forum Tokyo, Kassel Dokfest and others. Philip has been a member of LaborBerlin since 2009.

Siska’s practice is often centered on archiveology examining sociopolitical narratives in relation to personal and collective pasts. His use of film language and cinematographic codes, as strategic mediations to activate archival material, allows him to experiment with new forms of storytelling and his own biography. Siska's work has been internationally exhibited, such as at Martin Gropius Bau, Paris 104, Beirut Exhibition Center, Mosaic Rooms London.