Lecture and film programme by Erik Göngrich and Florian Wüst
On the occasion of the Super 8 workshop Kino, Kaffee, Kompostol by Dagie Brundert, this programme created by Erik Göngrich and Florian Wüst offers a historical insight into the models, connections and misinterpretations of the two construction phases of the Karl-Marx-Allee. How did it develop from the Stalinist confectionery style - "democratic in content and national in form" - to a modern, functional systematic construction with industrial concrete slabs? How do we deal with it today? The second part of the evening takes the urban situation around Haus der Statistik as a starting point to show the artistic possibilities of depicting the modern city. Selected examples of documentary and experimental film will be shown, including film clips by Cynthia Beatt, Matthias Müller and Herbert Vesely, among others.
Funded by the Berliner Projektfonds Urbane Praxis within the framework of the project SİNEMA HERE N’ THERE
Erik Göngrich is an artist researcher, political architect, producer-curator, discursive draughtsman, public-spirited cook and performative publisher. With the projects MITKUNSTZENTRALE, which he initiated, and SATELLIT, he has been running a workshop/exhibition space since 2019, one that addresses material cycles and art in times of climate emergency.
Florian Wüst is a film curator, artist and publisher living in Berlin. His work deals with European post-war history and the social and ecological changes in the process of modernising the living world. Wüst is co-founder of the Berliner Hefte on the history and present of the city.