Curated by Kaspar Aebi
Curated by Kaspar Aebi
Curated by Popo Fan
Curated by Sarnt Utamachote and Rosalia Namsai Engchuan
Curated by Popo Fan, Tobias Hering, Malve Lippmann, Branka Pavlovic, Can Sungu, Sarnt Utamachote and Florian Wüst
Director Aylin Kuryel and Fırat Yücel Turkey 2019
57 min, OV with English subs
Followed by a talk with Aylin Kuryel and Fırat Yücel
Director Furqan Faridi, Ashfaque EJ, Shaheen Ahmed and Vishu Sejwal India 2019
43, OV with English subs
Followed by a talk with Shivramkrishna Patil and Susanne Gupta
Contract Labor and Internationalism in the GDR
Curated by Tobias Hering and Sun-ju Choi
Romani Perspectives in Film
Curated by Hamze Bytyçi
Curated by Amal Ramsis
Curated by Malve Lippmann and Can Sungu
Queer Feminist Rebels
Curated by Pembe Hayat KuirFest / Pink Life QueerFest, Esma Akyel and Esra Özban
Director Afraa Batous Syria, Lebanon 2015
82 min., OV with English subs
Followed by a talk with Lisa Jöris and Afraa Batous
Chinese X Queer X Film
Curated by Popo Fan
The Figure of the Migrant
Curated by Ömer Alkın
Curated by Necati Sönmez
Shifting Narratives
Curated by Florian Wüst
Narratives and Memories of Transnational Families
Curated by Malve Lippmann and Can Sungu
By Esra Özban
Syrian Society and Politics before and after 2011
By Amer Katbeh
Perspectives on Mobility in African Film
By Enoka Ayemba
By Marie Rasper and Hanna Döring
Mobilities between tourism and migration
By Malve Lippmann and Can Sungu
By Florian Wüst
Parent's and Children's Fates in the Context of Labor Migration
By Malve Lippmann and Can Sungu
Social Criticism in German-Turkish Migration Film
By Can Sungu
By Branka Pavlovic
OV with English subs
Followed by a talk with Can Sungu
Director Carmen Losmann Germany 2011
90 min., OV with English subs
Director Aylin Kuryel and Fırat Yücel Turkey 2019
57 min, OV with English subs
Followed by a talk with Aylin Kuryel and Fırat Yücel
Heads and Tails chronicles the curious hair trade between Turkey and Israel. Two Turkish-Israeli women, Coya and Sima, get the tails of hair from male hair traders from Turkey and sell them to wig makers in Tel Aviv, Ramat Gan and Bnei Brak.
Orthodox Jewish women cover their heads with the wigs made of the hair once belonged to women from Anatolia. In this journey, the hair is turned into a commodity, a means of living and source of beauty, becomes kosher, yet doesn’t pay much to its owner, the one who carefully grows the hair.
Aylin Kuryel has a PhD degree from Amsterdam School for Cultural Analysis (ASCA) at the University of Amsterdam. Currently, she is based in Amsterdam teaching at the University of Amsterdam. She has made art projects/exhibitions and has completed several short documentaries. Among her films are Taboo (Third Prize in !f İstanbul Film Festival, 2008), Aysegul in Rebellion (Third Movie Award in Hrant Dink Foundation Films about Conscience Competition, 2011) and Welcome Lenin (Special Jury Award at Documentarist Film Festival, 2016).
Fırat Yücel is a film critic and a filmmaker. He co-founded Altyazı Monthly Cinema Magazine in 2001, and worked as the magazine’s editor in chief since then. He codirected Only Blockbusters Left Alive (2016), worked as the co-editor of the short documentary Welcome Lenin (2016) and as the co-editor of the medium length documentary Audience Emancipated: The Struggle for the Emek Movie Theater (2016).
