About

SİNEMA TRANSTOPIA

How can a new kind of cinema be collectively created within a transnational society? SİNEMA TRANSTOPIA, the cinema-experiment by bi’bak, explores cinema as a space of social discourse, exchange, and solidarity. The curated film series brings together diverse social communities and connects places both near and geographically distant; it links pasts, presents and futures and moves away from a eurocentric gaze towards transnational, (post-)migrant and postcolonial perspectives. SİNEMA TRANSTOPIA is a different kind of cinema, one simultaneously committed to local and international communities, that understands cinema as an important public sphere of sociality; it considers film history as crucial to the work of cultural memory and is committed to a diversity of film culture and film art. In Haus der Statistik at Berlin-Alexanderplatz, SİNEMA TRANSTOPIA builds a bridge between urban practice and film to create a space that opens access, stimulates discussion, educates, moves, provokes and encourages. 

SİNEMA TRANSTOPIA is funded by Haupstadtkulturfonds, Conrad Stiftung and the Programm NEUSTART KULTUR

Past event series can be found in the archive.

Series
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SİNEMANINO

Children's cinema from SİNEMA TRANSTOPIA

Concept by Malve Lippmann and Dr. Martin Ganguly

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Common Cold

un.thai.tled Film Festival 2021

Curated by Sarnt Utamachote and Rosalia Namsai Engchuan

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Sounding Womanhood

Feminist Gestures in Film

Curated by Pia Chakraverti-Würthwein & Eirini Fountedaki

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To the archive

Events

Director Vicky Funari and Sergio de la Torre Mexico/USA 2006

68 Min., OV with English subs

Followed by a talk with Vicky Funari, Pia Chakraverti-Würthwein & Eirini Fountedaki and Lourdes Luján

Maquilápolis

Maquilápolis follows the story of women factory workers on the Mexican border, fighting against environmental degradation and the exploitation of their labour at the hands of U.S. and multinational companies. Carmen Durán and Lourdes Luján chronicle their struggles in video diaries, documenting their work as promotoras: community advocates for social justice. The process behind the film is especially valuable, as it actively involved the promotoras in planning, filming, and distribution, as well as the fact that it directly led to the cleanup of an abandoned factory in Chilpancingo.

Book tickets

Vicky Funari is a documentary filmmaker and teacher. Her films include Paulina (1998) and Live Nude Girls Unite! (2000). Funari is committed to co-creative processes that aim to be of use to the individuals and communities represented. She is a Senior Lecturer of Visual Studies at Haverford College.

Pia Chakraverti-Würthwein & Eirini Fountedaki form a curatorial duo interested in embodied knowledge and collective reflections through film. They co-curated the film series Residing in the Borderlands at SAVVY Contemporary, and participated in the Berlin Biennial 11 curatorial workshop how now to gather. They also co-edited the publication How does the world breathe now? Film as Witness, Archive, and Political Tool (Archive Books, 2021).

Lourdes Luján is an ex-factory worker and resident of Colonia Chilpancingo, a neighborhood that borders a huge industrial park in Tijuana. When she discovered that the chronic health problems she and her neighbors were suffering might be the result of toxic waste from the nearby factories, she co-founded the Chilpancingo Collective for Environmental Justice. Lourdes has participated in Maquilápolis video production and editing workshops and has travelled to Seoul, Oslo, New York, and several cities along the US-Mexico border to speak with audiences.